1
00:00:14,230 --> 00:00:17,028
<i>The very first thing</i>

2
00:00:17,234 --> 00:00:21,603
<i>that I saw,</i>
<i>it was in my mother's womb.</i>

3
00:00:22,173 --> 00:00:24,573
<i>It was very...</i>

4
00:00:25,708 --> 00:00:27,768
<i>There was no life.</i>

5
00:00:28,411 --> 00:00:32,973
<i>I was pulled in this direction,</i>

6
00:00:34,551 --> 00:00:37,918
<i>through this opening,</i>

7
00:00:37,987 --> 00:00:41,389
<i>outside my mother.</i>

8
00:00:42,058 --> 00:00:47,691
<i>In those days, I had a voice,</i>

9
00:00:49,265 --> 00:00:54,203
<i>but there was a very</i>

10
00:00:55,805 --> 00:00:59,673
<i>bad influence of light</i>
<i>on my voice.</i>

11
00:01:00,774 --> 00:01:02,575


12
00:01:11,322 --> 00:01:14,620
THEREMIN - THE ELECTRONIC ODYSSEY

13
00:01:16,593 --> 00:01:18,528
- Where's Mike?
- Here.

14
00:01:18,629 --> 00:01:20,893
I want you to tell me.

15
00:01:21,165 --> 00:01:23,531
Did you get the sound?

16
00:01:24,768 --> 00:01:26,793
You only tried like this.

17
00:01:26,971 --> 00:01:31,998
Let no one stay near me,
otherwise I cannot tune the instrument.

18
00:01:32,108 --> 00:01:34,805
It's a crazy instrument,
it's not your fault.

19
00:01:34,944 --> 00:01:38,311
When I played
with the symphony orchestra...

20
00:01:38,382 --> 00:01:40,748
I am not in communion at all...

21
00:01:40,850 --> 00:01:42,442
How to say?

22
00:01:42,585 --> 00:01:46,215
I said to the first ones: “Go away.”

23
00:01:46,322 --> 00:01:49,621
I need space. You are
in the space control zone.

24
00:01:49,692 --> 00:01:52,218
Do not come any closer.

25
00:02:05,409 --> 00:02:08,343
I remember very well
that they brought me

26
00:02:08,611 --> 00:02:11,638
at the Plaza Hotel

27
00:02:11,915 --> 00:02:14,544
to meet
the great professor Theremin

28
00:02:14,717 --> 00:02:17,277
and see his invention.

29
00:02:17,454 --> 00:02:21,584
I remember going there
with Dr. Vilnegradf,

30
00:02:21,792 --> 00:02:25,728
having met this fascinating man

31
00:02:25,862 --> 00:02:29,093
and heard these ethereal sounds

32
00:02:29,165 --> 00:02:32,431
and celestial coming from the atmosphere.

33
00:03:35,366 --> 00:03:37,765
<i>The Theremin in particular,</i>

34
00:03:37,901 --> 00:03:40,562
<i>and the work of Leon Theremin in general,</i>

35
00:03:40,770 --> 00:03:43,432
<i>are the most important cornerstone</i>

36
00:03:44,074 --> 00:03:46,269
<i>all electronic music.</i>

37
00:03:46,342 --> 00:03:47,866
<i>That’s where it started.</i>

38
00:03:48,012 --> 00:03:50,343
At first, Theremin did more

39
00:03:50,413 --> 00:03:54,782
to promote the idea
electronic music

40
00:03:54,884 --> 00:03:57,353
and electronic instruments,
than anyone else.

41
00:03:57,420 --> 00:04:02,085
Very few people realize that
musical instruments are mechanical.

42
00:04:02,725 --> 00:04:07,992
Electricity begins to reveal
amazing musical possibilities

43
00:04:08,198 --> 00:04:13,396
which will ultimately be achieved thanks to
to the use of electrical instruments.

44
00:04:13,503 --> 00:04:16,701
Here is a curious instrument,
the Theremin Victor,

45
00:04:16,774 --> 00:04:19,334
which we play without even touching it.

46
00:05:07,257 --> 00:05:08,848
<i>I met him</i>

47
00:05:09,125 --> 00:05:11,754
in 1927.

48
00:05:12,161 --> 00:05:16,427
When he arrived in this country,
I was already fascinated

49
00:05:16,766 --> 00:05:20,668
by mechanics

50
00:05:21,237 --> 00:05:25,334
which underlies the construction
music.

51
00:05:28,444 --> 00:05:33,279
We could compose music,
create it, make it

52
00:05:33,617 --> 00:05:37,485
through purely technical means,
preferably electronic.

53
00:05:37,687 --> 00:05:40,952
At this time, needless to say

54
00:05:41,057 --> 00:05:44,459
that electronics was in its infancy.

55
00:05:44,595 --> 00:05:46,927
It was something
completely new.

56
00:05:47,029 --> 00:05:52,365
Electric lighting existed, of course,
as well as the metro, and that sort of thing.

57
00:05:52,502 --> 00:05:56,666
But there was no application,

58
00:05:56,740 --> 00:06:00,403
not even the radio.

59
00:06:00,476 --> 00:06:03,411
It was the very beginning of radio.

60
00:06:04,680 --> 00:06:06,807
Television did not exist,

61
00:06:06,884 --> 00:06:10,877
there was no connection
between sound and image.

62
00:06:11,187 --> 00:06:17,149
<i>For me, he was the prophet</i>
<i>of the future of music.</i>

63
00:06:50,093 --> 00:06:52,084
Could we try some jazz?

64
00:06:52,528 --> 00:06:55,497
My mother had read in a newspaper

65
00:06:55,632 --> 00:07:00,660
that the Wurlitzer company sponsored
a tour of the United States

66
00:07:00,838 --> 00:07:02,533
by Mr. Theremin

67
00:07:03,040 --> 00:07:07,305
<i>to demonstrate this new</i>
<i>and, at the time, quite remarkable</i>

68
00:07:07,411 --> 00:07:09,208
<i>electronic instrument.</i>

69
00:07:09,545 --> 00:07:14,745
<i>Mr. Theremin opened the back</i>
<i>of the instrument and showed me these great ones</i>

70
00:07:15,319 --> 00:07:19,778
<i>windings,</i>
<i>which seem primitive today.</i>

71
00:07:20,257 --> 00:07:24,023
<i>He explained to me</i>
<i>that they created a magnetic field</i>

72
00:07:24,327 --> 00:07:27,728
<i>around the metal rods</i>
<i>out of the box.</i>

73
00:07:27,898 --> 00:07:33,836
<i>Any object having an electrical capacity,</i>
<i>like a hand</i>

74
00:07:33,903 --> 00:07:38,273
<i>or a piece of metal,</i>
<i>modifies the magnetic field</i>

75
00:07:38,341 --> 00:07:42,641
<i>and causes modification by the machine</i>
<i>frequency and volume.</i>

76
00:07:42,980 --> 00:07:46,711
There is a frequency control there.

77
00:07:47,050 --> 00:07:51,577
You can change the frequency in
a range of four and a half octaves.

78
00:07:51,754 --> 00:07:56,249
Here is the volume control.
You can control the volume

79
00:07:56,459 --> 00:08:00,122
total inaudibility
up to the desired maximum volume.

80
00:08:10,473 --> 00:08:13,932
Height is determined by volume.

81
00:08:14,110 --> 00:08:15,908
The lower it is,

82
00:08:16,913 --> 00:08:19,541
the flatter the curve.

83
00:08:21,184 --> 00:08:24,278
The spacing between these points
is determined by frequency.

84
00:08:28,658 --> 00:08:30,559
I can change the stamp

85
00:08:36,033 --> 00:08:37,932
and the shape of the wave.

86
00:08:38,802 --> 00:08:43,033
<i>Note that Leon Theremin did not have</i>
<i>oscilloscope</i>

87
00:08:43,173 --> 00:08:45,801
<i>when he designed the initial instrument.</i>

88
00:08:46,009 --> 00:08:49,375
<i>Without any means</i>
<i>to see the shape of the wave,</i>

89
00:08:49,712 --> 00:08:54,149
<i>he got a fantastic richness of sound</i>

90
00:08:54,384 --> 00:08:57,443
<i>and accuracy of sound,</i>

91
00:08:58,322 --> 00:09:00,984
<i>using only his ears.</i>

92
00:09:01,124 --> 00:09:02,489
<i>In the same way as</i>

93
00:09:02,826 --> 00:09:07,263
Stradivarius to create violins
a few hundred years ago.

94
00:09:07,965 --> 00:09:10,933
<i>He organized a concert at Carnegie Hall.</i>

95
00:09:11,100 --> 00:09:14,730
<i>Of course, Theremin was</i>

96
00:09:15,272 --> 00:09:18,331
<i>the master of the situation and played.</i>

97
00:09:18,908 --> 00:09:23,778
<i>We selected ten Theremin</i>
<i>for this concert.</i>

98
00:09:24,147 --> 00:09:26,910
<i>A semicircle</i>

99
00:09:27,116 --> 00:09:29,984
<i>of Theremin on stage.</i>

100
00:09:30,153 --> 00:09:34,179
<i>I was at the end, because I was the only one</i>
<i>left-handed Theremin player</i>

101
00:09:34,256 --> 00:09:36,589
<i>and there, I had a good effect.</i>

102
00:09:36,826 --> 00:09:40,263
We simply had to
play in turn.

103
00:09:41,298 --> 00:09:42,525
Instead of...

104
00:09:43,399 --> 00:09:45,197
My part was only...

105
00:09:48,038 --> 00:09:49,903
And he played between.

106
00:09:49,972 --> 00:09:54,875
So it seemed like only one person
played the whole piece.

107
00:09:55,711 --> 00:09:57,201
I told Theremin

108
00:09:57,313 --> 00:10:01,307
during rehearsals:

109
00:10:01,684 --> 00:10:06,587
"Seven times out of ten it's good,
but the other three collapsed.

110
00:10:07,090 --> 00:10:09,923
"I would hate for that to happen
at Carnegie Hall.”

111
00:10:10,626 --> 00:10:14,586
He answered me: "You are men
and I know it will work.

112
00:10:15,264 --> 00:10:16,754
“For you are men.”

113
00:10:16,832 --> 00:10:21,235
It was a bit mysogynistic,
but it was his way of encouraging us.

114
00:10:22,905 --> 00:10:28,538
When we played, he came
that we become women in his eyes,

115
00:10:29,111 --> 00:10:32,376
because it was falling apart.

116
00:10:32,883 --> 00:10:34,908
<i>But that didn't make him unhappy,</i>

117
00:10:34,985 --> 00:10:38,511
<i>because he only wanted</i>
<i>show this audience...</i>

118
00:10:38,654 --> 00:10:42,056
<i>The room was packed.</i>
<i>I'm not talking about the concert hall.</i>

119
00:10:42,158 --> 00:10:46,458
<i>I'm talking about Carnegie Hall, all of it.</i>

120
00:10:46,897 --> 00:10:49,626
'THE SOVIET EDISON'
MAKE MUSIC WITH AIR

121
00:10:49,966 --> 00:10:52,730
Produced by free movement
hands in the air

122
00:10:56,472 --> 00:10:58,498
Music from an air device
at the Metropolitan

123
00:10:58,575 --> 00:11:00,941
Theremin improves his musical technique

124
00:11:04,980 --> 00:11:06,778
A melody from the air

125
00:11:07,484 --> 00:11:09,782
10,000 SPECTATORS
FOR ELECTRICAL WONDERS

126
00:11:10,886 --> 00:11:17,485
A wave of the hand
creates music from air

127
00:11:22,466 --> 00:11:24,865
music
like no one has ever played it

128
00:11:25,201 --> 00:11:27,830
The harmonies of the ether
in the concert hall

129
00:11:28,471 --> 00:11:29,700


130
00:11:29,905 --> 00:11:32,135


131
00:11:32,274 --> 00:11:34,708


132
00:11:35,278 --> 00:11:38,371
HANDS CREATE
ELECTRIC MUSIC

133
00:12:36,740 --> 00:12:40,801
<i>Of course, Clara Rockmore</i>
<i>was the best of us.</i>

134
00:12:42,412 --> 00:12:46,576
<i>I know Theremin was crazy about it.</i>
<i>He loved her very much.</i>

135
00:12:46,682 --> 00:12:48,446
<i>She was a beautiful woman.</i>

136
00:12:48,684 --> 00:12:52,279
<i>At that time, he was courting me.</i>

137
00:12:52,389 --> 00:12:56,654
<i>He gave me a wonderful surprise</i>

138
00:12:56,725 --> 00:12:58,990
<i>for my 18th birthday.</i>

139
00:12:59,663 --> 00:13:02,860
<i>It was in my room.</i>

140
00:13:02,999 --> 00:13:06,058
<i>It was in my room.</i>

141
00:13:06,202 --> 00:13:10,832
<i>to organize a birthday cake</i>
<i>which he had not prepared himself.</i>

142
00:13:11,073 --> 00:13:12,938
<i>I already said</i>

143
00:13:13,176 --> 00:13:17,168
what genius he was. He had not prepared
the cake, but he brought it

144
00:13:17,246 --> 00:13:21,649
<i>and installed it on a small table,</i>
<i>with a device</i>

145
00:13:21,784 --> 00:13:26,721
<i>which, when I approached the cake,</i>
<i>worked according to the Theremin principle.</i>

146
00:13:27,123 --> 00:13:32,527
<i>The candle, which was of course electric,</i>

147
00:13:32,761 --> 00:13:37,130
<i>lit up</i>
<i>and the cake moved slowly.</i>

148
00:13:37,200 --> 00:13:41,830
<i>Just as I approached.</i>
<i>Everything stopped when I walked away.</i>

149
00:13:41,937 --> 00:13:45,374
<i>It was magical in my room</i>
<i>for my birthday.</i>

150
00:13:48,110 --> 00:13:52,138
We went to the classiest places.

151
00:13:52,282 --> 00:13:55,011
<i>We were still in evening wear.</i>

152
00:13:55,184 --> 00:13:58,381
<i>It was another era, very romantic.</i>

153
00:14:00,724 --> 00:14:03,658
<i>He lived on 54th Street,</i>

154
00:14:03,893 --> 00:14:07,794
<i>in an old sandstone house</i>
<i>that had given him</i>

155
00:14:08,063 --> 00:14:10,225
<i>his kind neighbors,</i>

156
00:14:11,368 --> 00:14:14,860
<i>patrons Lucy Rosen and her husband,</i>

157
00:14:15,038 --> 00:14:18,006
<i>who had left him the use of the house.</i>

158
00:14:18,475 --> 00:14:20,773
<i>There was a studio downstairs</i>

159
00:14:20,844 --> 00:14:23,870
<i>where Goldberg, who was already with him</i>

160
00:14:23,980 --> 00:14:28,883
<i>in Europe, worked</i>
<i>on his electronic instruments.</i>

161
00:14:29,818 --> 00:14:33,220
<i>In the basement.</i>
<i>This is where all the technical work</i>

162
00:14:33,722 --> 00:14:35,315
took place.

163
00:14:35,725 --> 00:14:37,283
There was

164
00:14:39,995 --> 00:14:42,590
tables everywhere

165
00:14:42,731 --> 00:14:46,030
and all kinds of electronic cables,

166
00:14:46,201 --> 00:14:49,967
capacitors,
hits and God knows what, everywhere.

167
00:14:50,206 --> 00:14:52,697
<i>And on top of all that, there was also</i>

168
00:14:53,109 --> 00:14:56,806
<i>Professor Theremin,</i>
<i>still in his white suit.</i>

169
00:14:56,879 --> 00:15:02,250
<i>We had the whole group of people there</i>
<i>like Slaminsky and Schillinger.</i>

170
00:15:03,320 --> 00:15:06,812
<i>Various people interested</i>
<i>by the news...</i>

171
00:15:06,990 --> 00:15:10,426
<i>He had many different instruments.</i>

172
00:15:10,527 --> 00:15:14,360
<i>The Theremin cello,</i>
<i>which he called cello.</i>

173
00:15:14,464 --> 00:15:19,730
<i>We held him between the knees</i>
<i>and we shook the handle.</i>

174
00:15:19,836 --> 00:15:22,464
<i>It gave a low sound,</i>
<i>close to the sound of a cello.</i>

175
00:15:22,538 --> 00:15:26,942
<i>Imagine a key like</i>
<i>on a cello, but without strings.</i>

176
00:15:27,110 --> 00:15:30,636
<i>Instead, some kind of plastic material.</i>

177
00:15:30,947 --> 00:15:34,279
<i>Instead, some kind of plastic material.</i>

178
00:15:34,951 --> 00:15:38,250
we can play that fast
than on a cello.

179
00:15:38,421 --> 00:15:42,288
But there is only the equivalent of a rope.

180
00:15:42,591 --> 00:15:46,823
He had the Rythmicon,
which fascinated people like Schillinger.

181
00:15:46,962 --> 00:15:51,092
Musicians with a very academic mind.

182
00:15:55,739 --> 00:16:00,767
I will try a demonstration
imperfect of the Rythmicon.

183
00:16:00,976 --> 00:16:04,003
It is an extraordinary instrument

184
00:16:04,214 --> 00:16:08,980
who is not satisfied
to give 16 harmonics.

185
00:16:09,284 --> 00:16:14,221
Furthermore, each harmonic
has a number of beats

186
00:16:14,390 --> 00:16:19,327
corresponding to its place in the range.

187
00:16:19,662 --> 00:16:23,927
For example, here is number one.

188
00:16:26,769 --> 00:16:28,431
Every two seconds.

189
00:16:28,538 --> 00:16:33,339
Number two,
the first harmonic, an octave.

190
00:16:35,211 --> 00:16:36,576
Two per time.

191
00:16:38,014 --> 00:16:39,640
Number three.

192
00:16:41,518 --> 00:16:42,815
Three per time.

193
00:16:43,153 --> 00:16:44,643
Number four.

194
00:16:46,589 --> 00:16:48,056
Four per time.

195
00:16:48,258 --> 00:16:49,657
Four per time.

196
00:16:51,794 --> 00:16:53,091
Number six.

197
00:16:55,697 --> 00:16:57,164
Number seven.

198
00:16:58,835 --> 00:17:00,769
Number eight.

199
00:17:01,703 --> 00:17:03,933
Faster and faster.

200
00:17:05,340 --> 00:17:07,332
Then we hear this.

201
00:17:11,280 --> 00:17:13,840
Higher, faster sounds.

202
00:17:32,469 --> 00:17:33,834
Four.

203
00:17:40,375 --> 00:17:42,309
Six, and so on.

204
00:17:48,817 --> 00:17:52,446
someone spoke to me

205
00:17:52,521 --> 00:17:55,218
from Theremin in Russia,

206
00:17:55,491 --> 00:18:00,087
when one of his close assistants,

207
00:18:00,329 --> 00:18:05,289
died in the early 1920s.

208
00:18:06,201 --> 00:18:09,932
<i>It was a terrible shock for everyone,</i>

209
00:18:10,272 --> 00:18:14,334
<i>because she was part of the group.</i>

210
00:18:14,443 --> 00:18:18,505
<i>They also worked together</i>
<i>on several electrical inventions.</i>

211
00:18:18,780 --> 00:18:23,444
<i>Theremin said:</i>
<i>"We must not cry</i>

212
00:18:23,720 --> 00:18:26,450
<i>"on the lifeless body of our assistant.</i>

213
00:18:26,556 --> 00:18:30,184
<i>"You have to get started right away</i>

214
00:18:30,326 --> 00:18:33,317
<i>"to the creation of an instrument</i>

215
00:18:33,462 --> 00:18:37,422
<i>“capable of bringing a corpse back to life</i>

216
00:18:37,700 --> 00:18:41,727
<i>"and not consider death as an end."</i>

217
00:18:42,638 --> 00:18:45,038
<i>It was a den of mad researchers.</i>

218
00:18:45,441 --> 00:18:50,002
In fact, I sometimes thought he was crazy,
when he spoke to me

219
00:18:50,747 --> 00:18:55,308
of his idea of removing all the bridges

220
00:18:55,585 --> 00:18:58,748
to ensure that automobiles

221
00:18:58,988 --> 00:19:04,255
are transported electronically
above the rivers.

222
00:19:04,394 --> 00:19:06,624
“What would the cost be?” I asked.

223
00:19:06,695 --> 00:19:08,596
He said, “How much does a bridge cost?”

224
00:19:09,298 --> 00:19:13,234
<i>It never stopped.</i>
<i>He was inventing at that time.</i>

225
00:19:13,836 --> 00:19:18,102
<i>It was after the kidnapping of the Lindbergh baby,</i>
<i>I think so.</i>

226
00:19:18,340 --> 00:19:22,606
<i>In his studio,</i>
<i>I saw a cradle with a doll.</i>

227
00:19:22,711 --> 00:19:26,010
<i>I wanted to know</i>
<i>why he had these items.</i>

228
00:19:26,348 --> 00:19:30,444
He was working on an invention
which he developed, I believe.

229
00:19:30,653 --> 00:19:36,215
If anyone leaned over a cradle
to steal or kidnap a baby,

230
00:19:36,291 --> 00:19:40,854
a signal was emitted
without the kidnapper knowing.

231
00:19:41,263 --> 00:19:45,962
He had wired the walls of Sing Sing.
If a prisoner wanted to escape

232
00:19:46,702 --> 00:19:50,069
and approached the wall
to get over it,

233
00:19:50,239 --> 00:19:53,766
he entered the field
and a signal went off.

234
00:19:54,376 --> 00:19:56,674
<i>I forgot to mention</i>

235
00:19:57,713 --> 00:20:01,707
<i>one of his inventions of the time</i>

236
00:20:02,818 --> 00:20:07,619
<i>which I did, with reluctance,</i>
<i>the demonstration at Carnegie Hall.</i>

237
00:20:08,023 --> 00:20:11,016
<i>The idea of this invention was,</i>

238
00:20:11,126 --> 00:20:15,153
<i>the human body still playing the role</i>
<i>electrical conductor,</i>

239
00:20:15,298 --> 00:20:19,632
<i>that all movements translate</i>
<i>immediately in sounds.</i>

240
00:20:20,135 --> 00:20:24,266
<i>To play it,</i>

241
00:20:24,539 --> 00:20:28,101
<i>we did dance moves,</i>
<i>obviously</i>

242
00:20:28,176 --> 00:20:32,840
<i>much wider</i>
<i>just the little gestures of the fingers.</i>

243
00:20:33,048 --> 00:20:38,180
Dancers from famous schools have tried,

244
00:20:38,421 --> 00:20:40,752
and although they are fascinated,

245
00:20:40,823 --> 00:20:44,223
they couldn't make music.

246
00:20:44,493 --> 00:20:47,759
<i>Five of us,</i>

247
00:20:47,963 --> 00:20:52,263
<i>from von Grona's group, were retained</i>
<i>to study Thereminics.</i>

248
00:20:53,001 --> 00:20:58,440
The teacher demonstrated
from the machine to the studio.

249
00:20:58,941 --> 00:21:03,605
We had to take a piece of music

250
00:21:03,846 --> 00:21:09,785
and try to create the melody
using our bodies.

251
00:21:10,086 --> 00:21:14,785
It was very fun,
the sound changed if you moved a finger.

252
00:21:14,891 --> 00:21:16,518
We couldn't avoid it.

253
00:21:16,592 --> 00:21:20,550
It was difficult,
to try to work, to dance,

254
00:21:20,896 --> 00:21:23,832
while retaining the melody.

255
00:21:24,634 --> 00:21:27,500
<i>His eyes struck me.</i>

256
00:21:27,769 --> 00:21:29,601
<i>He had fascinating eyes.</i>

257
00:21:29,672 --> 00:21:32,903
<i>Light blue. He looked straight in the eye.</i>

258
00:21:32,974 --> 00:21:35,170
<i>It was like he saw right through you.</i>

259
00:21:35,611 --> 00:21:39,273
I went there twice a week, roughly.

260
00:21:39,615 --> 00:21:42,981
At that time, I said:
“This stuff is driving me crazy.”

261
00:21:43,086 --> 00:21:45,554
It's very

262
00:21:46,588 --> 00:21:47,782
frustrating.

263
00:21:48,057 --> 00:21:50,355
<i>We want to produce,</i>

264
00:21:50,692 --> 00:21:54,492
<i>but we are constantly frustrated</i>

265
00:21:54,596 --> 00:21:58,965
<i>by complications</i>
<i>inherent to the machine.</i>

266
00:21:59,067 --> 00:22:01,262
<i>I remember being fascinated.</i>

267
00:22:01,503 --> 00:22:05,565
Being in a prayer position
gave me an excuse.

268
00:22:05,674 --> 00:22:07,608
I was on my knees

269
00:22:07,777 --> 00:22:12,680
and I could move my hands,
shoulders and head.

270
00:22:12,848 --> 00:22:15,942
What I wanted.
It was a lot of fun choosing.

271
00:22:16,018 --> 00:22:18,987
If we want to do a 5th degree,
we can do it like this,

272
00:22:19,055 --> 00:22:22,148
you can lower your head or raise it.

273
00:22:22,357 --> 00:22:23,619
We had a choice.

274
00:22:23,759 --> 00:22:29,288
We worked in the air
to spontaneously create music

275
00:22:29,632 --> 00:22:32,795
I was working then
with an African-American ballet troupe.

276
00:22:32,902 --> 00:22:35,894
We called him
the “First Negro American Ballet”.

277
00:22:36,538 --> 00:22:39,303
This was before Alvin Ailey,
before the Harlem Dancers.

278
00:22:39,407 --> 00:22:42,900
It was the very first troop
black dance of the country.

279
00:22:43,278 --> 00:22:48,375
They were dancing <i>The Firebird</i> by Stravinsky
and this type of work.

280
00:22:51,253 --> 00:22:54,848
Our star dancer

281
00:22:55,223 --> 00:22:58,352
was Lavinia Williams.

282
00:23:00,229 --> 00:23:02,628
<i>Theremin fell in love with her</i>

283
00:23:02,964 --> 00:23:05,558
<i>and ended up marrying him.</i>

284
00:23:05,902 --> 00:23:08,734
<i>We knew instinctively</i>

285
00:23:09,305 --> 00:23:14,140
that society would not accept
this kind of relationship.

286
00:23:14,410 --> 00:23:17,038
She would not accept that she, at her level,

287
00:23:17,212 --> 00:23:21,411
either with him, at his level,
or racially.

288
00:23:21,884 --> 00:23:23,875
It was a time when

289
00:23:25,354 --> 00:23:27,753
this kind of marriage was

290
00:23:29,424 --> 00:23:32,451
disapproved by so many people.

291
00:23:32,662 --> 00:23:36,257
His friends abandoned him,
Lavinia told me.

292
00:23:36,632 --> 00:23:39,362
They did not approve of this marriage.

293
00:23:39,535 --> 00:23:41,230
<i>"What was doing</i>

294
00:23:41,737 --> 00:23:45,673
<i>"the famous professor Theremin</i>

295
00:23:45,740 --> 00:23:47,867
<i>"with a young black dancer?"</i>

296
00:23:49,345 --> 00:23:53,280
<i>We were told to come up</i>
<i>on the second floor.</i>

297
00:23:54,150 --> 00:23:59,679
There we saw a kind of box
against the wall.

298
00:24:00,556 --> 00:24:04,219
It seemed to me to measure
about 50 centimeters,

299
00:24:06,962 --> 00:24:09,760
or a little more, I forgot.

300
00:24:12,167 --> 00:24:15,261
To our great astonishment, we saw,

301
00:24:15,605 --> 00:24:20,974
on the television screen,
because that was it,

302
00:24:21,943 --> 00:24:26,676
what was happening
in the basement of this laboratory.

303
00:24:27,083 --> 00:24:29,482
And we saw it in color.

304
00:24:29,618 --> 00:24:32,712
In color, at that time!

305
00:24:33,722 --> 00:24:37,625
<i>At that moment,</i>
<i>I still had to prove to the world</i>

306
00:24:37,792 --> 00:24:40,454
<i>that the Theremin was more</i>

307
00:24:40,528 --> 00:24:43,895
<i>just a magic toy</i>
<i>and a wonderful gadget:</i>

308
00:24:44,066 --> 00:24:47,467
<i>A serious musical instrument.</i>

309
00:24:47,636 --> 00:24:50,799
<i>Taken seriously by people</i>

310
00:24:50,906 --> 00:24:54,307
<i>who hired me to play</i>
<i>with the Philadelphia Orchestra.</i>

311
00:24:54,477 --> 00:24:58,709
<i>I could pretend to play</i>
<i>at home, in privacy.</i>

312
00:24:59,048 --> 00:25:01,982
But I had to have proof,
not for me

313
00:25:02,050 --> 00:25:06,384
but to put the Theremin
at the professional level he was at.

314
00:26:04,880 --> 00:26:07,404
With NADIA REISENBERG on piano

315
00:26:07,549 --> 00:26:09,381
TOWN HALL - Thursday evening

316
00:26:19,961 --> 00:26:24,160
<i>She called me in tears,</i>
<i>hysterical, to tell me</i>

317
00:26:24,299 --> 00:26:27,826
<i>that the professor had been kidnapped</i>
<i>in his studio.</i>

318
00:26:28,203 --> 00:26:30,763
Russians had entered.

319
00:26:30,905 --> 00:26:33,965
It was incredible.
How was this possible?

320
00:26:34,210 --> 00:26:37,838
But she said yes.
They had taken him away by force.

321
00:26:37,913 --> 00:26:40,143
<i>- Was she there?</i>
- Yes.

322
00:26:40,682 --> 00:26:42,412
They took him away.

323
00:26:42,817 --> 00:26:46,048
She had no idea what was happening,

324
00:26:46,154 --> 00:26:49,385
but she felt
that he was being made to leave the country.

325
00:26:49,692 --> 00:26:53,252
I'm sure he wouldn't have gone

326
00:26:53,729 --> 00:26:57,357
without a good reason.

327
00:26:58,034 --> 00:27:00,969
The only good reason I can find

328
00:27:01,037 --> 00:27:03,971
is that he had a gun in his back.

329
00:27:04,539 --> 00:27:07,099
We were all so shocked.

330
00:27:07,175 --> 00:27:09,440
Let something like this happen in America.

331
00:27:09,545 --> 00:27:13,571
I refused to believe in the intervention
of a foreign government.

332
00:27:13,749 --> 00:27:18,709
<i>For me, he was a citizen,</i>
<i>living here gave him status.</i>

333
00:27:18,854 --> 00:27:22,517
<i>I didn't understand how</i>
<i>people could come in broad daylight,</i>

334
00:27:22,590 --> 00:27:27,392
<i>any time,</i>
<i>to kidnap someone from their home.</i>

335
00:27:27,695 --> 00:27:30,528
We know there was a political reason

336
00:27:30,732 --> 00:27:32,928
to his removal from the country.

337
00:27:33,001 --> 00:27:34,765
It was not intentional.

338
00:27:35,304 --> 00:27:39,763
Maybe he wasn't cooperating or

339
00:27:40,542 --> 00:27:43,010
was he frowned upon there.

340
00:27:43,078 --> 00:27:46,276
At that time, anything could happen.

341
00:27:46,648 --> 00:27:50,449
Whatever the reasons,
it was a long time ago

342
00:27:50,586 --> 00:27:55,250
and I forgot the details,
but she had reason to believe

343
00:27:55,423 --> 00:27:57,721
that he was no longer alive.

344
00:27:59,561 --> 00:28:04,328
We never stopped looking for him,

345
00:28:04,532 --> 00:28:06,898
thanks to different

346
00:28:08,336 --> 00:28:11,396
relations, in Washington,

347
00:28:11,574 --> 00:28:15,942
with powerful people

348
00:28:16,010 --> 00:28:18,069
or at least allowed.

349
00:28:18,247 --> 00:28:20,510
Without any results.

350
00:28:20,682 --> 00:28:24,949
In fact it was as if a loved one,

351
00:28:25,019 --> 00:28:28,147
to whom we were related, had disappeared.

352
00:28:30,492 --> 00:28:32,221
Completely.

353
00:28:32,294 --> 00:28:34,693
We didn't know if he was alive or dead.

354
00:28:34,797 --> 00:28:37,391
or what had happened to him.

355
00:29:48,770 --> 00:29:50,761
- What is it?
- It's not you.

356
00:29:51,105 --> 00:29:53,131
This is your dress.

357
00:29:53,608 --> 00:29:55,804
My dress? I don't understand.

358
00:29:57,613 --> 00:30:00,137
Excuse me. One thing struck me.

359
00:30:01,349 --> 00:30:03,442
I've been very nervous lately.

360
00:30:03,586 --> 00:30:06,419
Your dress, the dark stripes...

361
00:30:06,588 --> 00:30:08,181
But you are sick!

362
00:30:08,691 --> 00:30:10,556
No, it'll be fine.

363
00:30:15,431 --> 00:30:18,627
<i>When I was a child, eight or ten years old,</i>

364
00:30:18,901 --> 00:30:21,961
I built with my father
simple electronics projects.

365
00:30:22,403 --> 00:30:24,929
<i>To build a simple project,</i>

366
00:30:25,007 --> 00:30:28,635
<i>we subscribed to an amateur magazine</i>
<i>which explained how to do it.</i>

367
00:30:29,411 --> 00:30:33,507
<i>At 14, I built the Theremin</i>
<i>from a magazine article,</i>

368
00:30:33,615 --> 00:30:35,242
<i>and it all went from there.</i>

369
00:30:35,317 --> 00:30:38,376
<i>In high school, I couldn't stop</i>
<i>to build Theremin.</i>

370
00:30:38,453 --> 00:30:41,183
<i>I was interested, that's all.</i>

371
00:30:41,522 --> 00:30:44,583
<i>At 18,</i>

372
00:30:46,894 --> 00:30:50,261
<i>I played the Theremin in front of an audience,</i>
<i>in high school.</i>

373
00:30:51,834 --> 00:30:56,395
<i>I had a very large instrument</i>
<i>which looked like a coffin.</i>

374
00:30:56,571 --> 00:31:00,405
<i>My science teacher,</i>
<i>who was not the friendly type,</i>

375
00:31:00,576 --> 00:31:03,703
said to me: "Moog, that's damn good."

376
00:31:05,580 --> 00:31:10,211
<i>At 19, I wrote my first article</i>
<i>for the same amateur magazine,</i>

377
00:31:10,618 --> 00:31:14,419
<i>on the construction of a Theremin.</i>
<i>There, I designed it myself.</i>

378
00:31:48,057 --> 00:31:49,854
<i>In Hollywood,</i>

379
00:31:49,924 --> 00:31:54,294
<i>we just wanted</i>
<i>produce strange noises.</i>

380
00:31:55,029 --> 00:31:59,729
Spectrals. The sounds were meant
scare you, and all that.

381
00:31:59,835 --> 00:32:03,430
That's not what I wanted to do.

382
00:32:04,873 --> 00:32:08,775
I wanted to be a serious musician,
play Bach!

383
00:32:08,876 --> 00:32:11,868
Stokowski came to tell me:
“Play me some Bach.”

384
00:32:12,013 --> 00:32:13,310
It's a compliment.

385
00:32:51,920 --> 00:32:54,820
NEW TRIUMPH WITH STOKOWSKI
AND THE NEW YORK SYMPHONY

386
00:32:59,060 --> 00:33:03,122
<i>This concerto for Theremin and orchestra</i>
<i>was written especially for</i>

387
00:33:03,365 --> 00:33:06,299
<i>Clara Rockmore,</i>
<i>which is now making its debut.</i>

388
00:33:06,367 --> 00:33:10,429
<i>She is going to play for the first time,</i>
<i>with the orchestra conducted by Stokowski,</i>

389
00:33:10,506 --> 00:33:13,998
the Concerto for Theremin and orchestra
<i>by Anis Fuleihan.</i>

390
00:33:20,982 --> 00:33:23,076


391
00:33:23,251 --> 00:33:28,383
A German book

392
00:33:28,490 --> 00:33:32,789
on modern music quoted Theremin.

393
00:33:32,861 --> 00:33:37,093
He said Theremin had been executed
after his return to Russia.

394
00:33:37,865 --> 00:33:40,835
<i>There was reason to believe that</i>

395
00:33:41,103 --> 00:33:43,537
<i>something had happened to Theremin.</i>

396
00:33:45,039 --> 00:33:47,030
We weren't sure of anything.

397
00:33:47,175 --> 00:33:51,635
There was an article
in the Soviet magazine

398
00:33:51,779 --> 00:33:54,714
on electronic instruments

399
00:33:55,116 --> 00:33:58,143
and Theremin was not even mentioned.

400
00:33:58,220 --> 00:34:00,653
It was extraordinary.

401
00:34:00,823 --> 00:34:05,782
The article was published around 1951 or 1952,

402
00:34:06,094 --> 00:34:09,530
at the worst time of relationships

403
00:34:09,597 --> 00:34:12,362
between America and Russia.

404
00:34:56,978 --> 00:35:00,539
<i>The music of the film</i>
The day the Earth stood still

405
00:35:00,715 --> 00:35:03,708
was going to be composed
by Bernard Herrmann.

406
00:35:03,918 --> 00:35:05,943
He wanted to compose,

407
00:35:06,021 --> 00:35:10,481
in addition to other instruments,
for two Theremin.

408
00:35:10,958 --> 00:35:15,760
No one else was playing it around here.

409
00:35:17,398 --> 00:35:19,992
<i>I told them spontaneously</i>

410
00:35:20,101 --> 00:35:24,367
<i>that I had been in contact</i>
<i>with this instrument in my childhood,</i>

411
00:35:24,572 --> 00:35:28,668
<i>what if they could</i>
<i>find or rent one,</i>

412
00:35:28,844 --> 00:35:32,802
<i>I would be happy to repeat</i>
<i>to try to play.</i>

413
00:36:12,286 --> 00:36:16,690
When the robot's sight was raised,
we heard this kind of noise...

414
00:36:43,552 --> 00:36:46,782
<i>My husband and I went to Russia.</i>

415
00:36:46,989 --> 00:36:49,684
<i>It had nothing to do</i>
<i>with Theremin search.</i>

416
00:36:49,791 --> 00:36:54,626
<i>My husband was curious to finally see</i>

417
00:36:54,762 --> 00:36:57,561
<i>where did the strange animal that I was come from.</i>

418
00:36:57,666 --> 00:36:59,394
<i>We arrived there at midnight.</i>

419
00:36:59,467 --> 00:37:04,963
<i>A lot of people were waiting</i>
<i>the dubious pleasure of meeting us.</i>

420
00:37:05,172 --> 00:37:08,869
<i>At midnight, when we arrived,</i>

421
00:37:09,043 --> 00:37:15,005
<i>everyone greeted me,</i>
<i>my husband hit a man who was leaving.</i>

422
00:37:15,182 --> 00:37:17,548
<i>He spoke English.</i>

423
00:37:18,019 --> 00:37:21,012
<i>He said: "I am a scientist."</i>

424
00:37:21,188 --> 00:37:24,487
<i>He spoke about his profession.</i>

425
00:37:24,559 --> 00:37:28,255
<i>At that moment,</i>
<i>my husband had the reflex to say:</i>

426
00:37:28,396 --> 00:37:34,097
<i>"So maybe you know something</i>
<i>on Professor Theremin."</i>

427
00:37:34,802 --> 00:37:39,637
“I had lunch with him today,”
he replied, and left.

428
00:37:39,840 --> 00:37:44,277
It was a very strong moment,
after searching for seven years,

429
00:37:44,378 --> 00:37:49,338
meet a man who leaves, and who says:
“I had lunch with him today.”

430
00:37:49,717 --> 00:37:52,117
<i>That’s how we found Theremin.</i>

431
00:38:27,289 --> 00:38:31,918
<i>He arranged a meeting</i>
<i>between my husband, me and him</i>

432
00:38:32,327 --> 00:38:34,760
<i>in a metro station.</i>

433
00:38:37,164 --> 00:38:40,065
<i>I knew it wasn't necessary</i>
<i>ask questions.</i>

434
00:38:40,402 --> 00:38:43,166
<i>We met</i>
<i>in the metro station,</i>

435
00:38:43,438 --> 00:38:46,099
<i>amid the din</i>

436
00:38:46,273 --> 00:38:48,639
<i>which was the real reason for this choice,</i>

437
00:38:48,710 --> 00:38:52,907
<i>so that we can talk</i>

438
00:38:53,081 --> 00:38:56,811
<i>without being listened to or followed.</i>

439
00:38:57,385 --> 00:39:02,789
<i>There was visibly</i>
<i>constant surveillance of people</i>

440
00:39:02,958 --> 00:39:06,052
<i>which were not supposed</i>
<i>meet strangers.</i>

441
00:39:06,128 --> 00:39:08,755
<i>Not foreigners, Americans.</i>

442
00:39:12,233 --> 00:39:15,567
<i>We were holding hands, sitting there</i>

443
00:39:17,038 --> 00:39:19,632
<i>trying to talk to us.</i>

444
00:39:20,541 --> 00:39:23,806
<i>He had spent seven years in prison.</i>

445
00:39:26,014 --> 00:39:27,503
<i>In life,</i>

446
00:39:27,681 --> 00:39:30,981
if someone steals something,

447
00:39:31,585 --> 00:39:34,384
we send it to a place.

448
00:39:35,891 --> 00:39:38,416
You know the name of this place.

449
00:39:38,994 --> 00:39:40,824
Magadan. It was like

450
00:39:42,864 --> 00:39:45,923
Leningrad, Moscow, Magadan.

451
00:39:47,936 --> 00:39:50,097
<i>A large group of people</i>

452
00:39:50,204 --> 00:39:54,471
<i>built the way to go</i>

453
00:39:54,543 --> 00:39:56,806
<i>from one place to another.</i>

454
00:40:02,384 --> 00:40:03,976
I was not free.

455
00:40:07,856 --> 00:40:13,157
I was in prison.

456
00:40:15,996 --> 00:40:18,487
It was impossible to get out.

457
00:40:18,733 --> 00:40:21,132
<i>Not because I said anything.</i>

458
00:40:25,172 --> 00:40:29,108
<i>A lot of people were relegated</i>
<i>at that time.</i>

459
00:40:29,244 --> 00:40:32,269
<i>Some of them</i>

460
00:40:35,182 --> 00:40:38,914
<i>had flown before</i>

461
00:40:39,054 --> 00:40:42,614
<i>or did something wrong.</i>

462
00:40:42,757 --> 00:40:46,215
<i>Others were just different</i>
<i>politically.</i>

463
00:40:53,934 --> 00:40:58,496
It wasn't really about me,

464
00:40:58,907 --> 00:41:01,670
but it was possible

465
00:41:01,742 --> 00:41:05,338
to use my work.

466
00:41:07,449 --> 00:41:12,250
I worked in an institution

467
00:41:12,320 --> 00:41:17,121
on different types of electronics

468
00:41:17,626 --> 00:41:21,460
and then on aviation,

469
00:41:21,528 --> 00:41:25,362
street construction

470
00:41:30,304 --> 00:41:35,139
and electronics again.

471
00:41:36,043 --> 00:41:41,242
I had to work
on many bad things.

472
00:41:41,449 --> 00:41:44,543
I worked in this organization

473
00:41:46,855 --> 00:41:48,686
almost

474
00:41:55,563 --> 00:41:57,463
from the age of 42

475
00:41:58,032 --> 00:42:01,331
up to 67 years old.

476
00:42:03,538 --> 00:42:06,371
I will explain to you.

477
00:42:09,610 --> 00:42:13,307
There are two high frequency oscillators.

478
00:42:13,514 --> 00:42:18,474
Inside, we have the difference
between the two frequencies.

479
00:42:18,552 --> 00:42:22,045
We hear the corresponding sound
unlike

480
00:42:22,157 --> 00:42:23,385
frequencies.

481
00:42:23,458 --> 00:42:26,358
A frequency passes through this lamp,

482
00:42:26,460 --> 00:42:28,793
the other by this one.

483
00:42:28,929 --> 00:42:33,458
The lamps amplify it,

484
00:42:33,635 --> 00:42:36,695
and these lamps

485
00:42:37,771 --> 00:42:40,172
modify the sound power

486
00:42:40,641 --> 00:42:46,273
and control the sound that comes out.

487
00:43:05,032 --> 00:43:06,295
Mr. Crow?

488
00:44:12,000 --> 00:44:14,797
"If you dance rock and roll
while doing this thing

489
00:44:15,070 --> 00:44:17,538
"Ground dog, ground dog rock and roll

490
00:44:17,605 --> 00:44:20,130
"You ground-dog swings
you ground dog roll

491
00:44:20,208 --> 00:44:23,177
“You roll and you swing”

492
00:44:23,244 --> 00:44:24,835
Hello, Mr. Crow.

493
00:44:25,380 --> 00:44:28,577
Please excuse me, I was playing your broom.

494
00:44:28,650 --> 00:44:30,378
This is my Theremin.

495
00:44:31,018 --> 00:44:32,418
Your what?

496
00:44:32,586 --> 00:44:34,248
You wanted to see it, right?

497
00:44:34,322 --> 00:44:36,619
- It's a very beautiful Theremin.
- Not that!

498
00:44:37,025 --> 00:44:38,925
You see what I mean.

499
00:44:40,161 --> 00:44:44,655
Theremin even performed in front of Lenin.

500
00:44:44,898 --> 00:44:48,356
<i>Lenin said that communism,</i>
<i>this is socialism</i>

501
00:44:48,702 --> 00:44:50,864
<i>plus electrification.</i>

502
00:44:51,072 --> 00:44:54,268
<i>At this time,</i>
<i>electrification was new.</i>

503
00:44:54,842 --> 00:44:58,744
Oh, Lenin. I didn't understand.

504
00:44:58,880 --> 00:45:00,905
It's Lenin.

505
00:45:01,081 --> 00:45:04,449
I demonstrated it to him in 1922.

506
00:45:04,751 --> 00:45:08,313
<i>He loved music</i>
<i>and had a certain musical sense.</i>

507
00:45:09,724 --> 00:45:14,786
He tried to play my instrument.
With good results.

508
00:45:15,463 --> 00:45:20,126
<i>Clara gave an interview and a concert</i>
<i>on the radio, on WQXR.</i>

509
00:45:20,235 --> 00:45:23,931
<i>Someone recorded it</i>
<i>and sent me the tape.</i>

510
00:45:24,038 --> 00:45:25,505
<i>Thought I would be interested.</i>

511
00:45:25,572 --> 00:45:29,065
<i>This is how I discovered</i>
<i>Clara Rockmore. I didn't know her.</i>

512
00:45:29,244 --> 00:45:34,271
She was the distant goddess
who did these wonderful things,

513
00:45:34,382 --> 00:45:37,476
at or before the time of my birth.

514
00:45:37,818 --> 00:45:42,552
It is one of the last instruments
of this form that I made.

515
00:45:42,923 --> 00:45:47,588
It was called the Vanguard,
because it was a buzzword.

516
00:45:48,028 --> 00:45:51,726
There are maybe 50 or 60 instruments
of this type, in all.

517
00:45:51,833 --> 00:45:56,998
Often with vacuum tubes,
but the last ones are transistorized.

518
00:45:57,338 --> 00:45:59,202
<i>He was in talks with</i>

519
00:45:59,907 --> 00:46:04,971
the Schirmer publishing house,
a very famous music publisher.

520
00:46:05,413 --> 00:46:08,108
They had an agreement with him:

521
00:46:08,315 --> 00:46:14,255
<i>If Clara Rockmore played</i>
<i>from his Theremin during his concerts,</i>

522
00:46:14,956 --> 00:46:17,083
<i>they would make it.</i>

523
00:46:18,293 --> 00:46:20,056
It was important.

524
00:46:20,161 --> 00:46:24,893
Maybe it's a shame
that we did not accept.

525
00:46:25,032 --> 00:46:28,161
There might be today
thousands of Theremin.

526
00:46:28,268 --> 00:46:32,568
And hundreds of Clara Rockmores.
I don't know.

527
00:46:32,639 --> 00:46:34,335
But the fact is

528
00:46:36,244 --> 00:46:41,510
that I couldn't sign
something I wouldn't do.

529
00:46:41,815 --> 00:46:46,480
My instrument, the second
that Theremin made, was better.

530
00:46:47,255 --> 00:46:49,246
Furthermore,

531
00:46:49,456 --> 00:46:52,449
I had so much respect

532
00:46:52,760 --> 00:46:57,663
and feelings for Theremin
that even if this had not been the case,

533
00:46:59,701 --> 00:47:04,034
I wouldn't have wanted to stop suddenly
to play the Theremin.

534
00:47:04,304 --> 00:47:09,936
I met Shostakovich who was from
passage. I asked him innocently:

535
00:47:10,510 --> 00:47:15,447
“What happened to Theremin?
Why his name

536
00:47:16,416 --> 00:47:20,045
"isn't it mentioned
in specialized articles?"

537
00:47:20,454 --> 00:47:25,414
Shostakovich never used
the Theremin in his compositions.

538
00:47:25,592 --> 00:47:29,255
He replied, with a sort of reluctance:

539
00:47:29,329 --> 00:47:33,027
"I can't say anything about Theremin."

540
00:47:33,668 --> 00:47:36,329
It looked like

541
00:47:36,771 --> 00:47:39,170
that it was better that he said nothing.

542
00:47:39,373 --> 00:47:42,365
In other words,
Theremin was a minefield.

543
00:47:42,510 --> 00:47:46,570
He had not necessarily been executed,
but it was a minefield.

544
00:47:47,081 --> 00:47:48,547
The KGB.

545
00:47:50,150 --> 00:47:52,050
You don't know the KGB?

546
00:47:52,420 --> 00:47:55,947
<i>I was officially working</i>

547
00:47:56,023 --> 00:47:59,585
<i>in a particular ministry.</i>

548
00:48:05,465 --> 00:48:08,333
In Russia it is called:

549
00:48:08,568 --> 00:48:12,130
“State Security Committee”. The KGB.

550
00:48:15,543 --> 00:48:19,342
They organize

551
00:48:19,414 --> 00:48:23,248
different kinds

552
00:48:26,286 --> 00:48:31,554
political investigations,

553
00:48:34,362 --> 00:48:38,559
monitor changes.

554
00:48:38,666 --> 00:48:42,431
It was this kind of organization:

555
00:48:42,503 --> 00:48:46,268
The Ministry of the Interior.

556
00:48:46,807 --> 00:48:51,643
The Ministry of the Interior matters.

557
00:48:52,780 --> 00:48:56,579
When a recording
wasn't good enough

558
00:48:56,650 --> 00:49:00,485
so that it can be heard clearly,

559
00:49:03,458 --> 00:49:07,952
it had to be cleaned, acoustically.

560
00:49:08,528 --> 00:49:11,726
It was my specialty.

561
00:49:17,003 --> 00:49:21,907
LISTENING TO THE KREMLIN

562
00:49:29,951 --> 00:49:33,909
<i>Buran, the snitch.</i>

563
00:49:34,956 --> 00:49:39,052
<i>That was the name of the invention.</i>

564
00:49:39,460 --> 00:49:41,257
<i>It was top secret.</i>

565
00:49:41,996 --> 00:49:47,865
<i>They weren't just listening to Stalin,</i>
<i>but others too.</i>

566
00:49:48,001 --> 00:49:52,905
<i>Stalin knew about it.</i>
<i>He thought it was very important.</i>

567
00:49:53,106 --> 00:49:56,634
<i>At the time of the Stalin trophies,</i>

568
00:49:56,744 --> 00:50:01,840
<i>the most prestigious in the USSR,</i>

569
00:50:03,016 --> 00:50:07,215
<i>Stalin saw that Theremin had</i>

570
00:50:07,288 --> 00:50:11,519
<i>second prize.</i>

571
00:50:11,793 --> 00:50:16,059
He crossed it out, wrote "first prize"
and signed.

572
00:50:16,431 --> 00:50:18,922
LYDIA KAVINA - Grandniece of Theremin

573
00:50:19,233 --> 00:50:21,326
<i>Where is this document today?</i>

574
00:50:22,603 --> 00:50:24,934
It's a secret document.

575
00:50:26,407 --> 00:50:31,208
<i>With KGB methods,</i>

576
00:50:31,311 --> 00:50:34,577
<i>he is still locked up</i>

577
00:50:34,648 --> 00:50:37,914
<i>in its most secret cellars.</i>

578
00:51:16,389 --> 00:51:19,985
Alas, Lavinia is dead
about two years ago.

579
00:51:20,293 --> 00:51:24,059
A rather sudden and mysterious death,
in Haiti.

580
00:51:24,398 --> 00:51:27,594
<i>She had eaten at the restaurant</i>

581
00:51:27,902 --> 00:51:30,735
<i>and was sick after the meal.</i>

582
00:51:31,338 --> 00:51:35,639
<i>We took her to the hospital</i>
<i>and she never recovered.</i>

583
00:51:35,742 --> 00:51:38,302
<i>It was some kind of poisoning.</i>

584
00:52:00,568 --> 00:52:06,005
You have to put a piece of metal here

585
00:52:06,106 --> 00:52:09,838
to get the exact correction.

586
00:52:13,246 --> 00:52:17,148
<i>We were having coffee</i>
<i>when I asked him:</i>

587
00:52:17,318 --> 00:52:20,913
<i>"How did you create the Theremin?"</i>

588
00:52:21,255 --> 00:52:24,315
<i>"I worked on a radio",</i>
<i>he replied,</i>

589
00:52:24,958 --> 00:52:27,655
<i>"and suddenly I heard a sound</i>

590
00:52:27,728 --> 00:52:30,753
<i>"which, I knew,</i>
<i>did not come from a radio program.</i>

591
00:52:30,931 --> 00:52:33,798
<i>"This sound came from the radio itself."</i>

592
00:52:34,068 --> 00:52:38,402
<i>He said: “I was interested</i>
<i>what produced it.</i>

593
00:52:39,239 --> 00:52:43,835
<i>"Little by little, I learned to control it."</i>

594
00:52:45,045 --> 00:52:50,347
<i>Today, engineers are used to it</i>
<i>complex, sophisticated electronics.</i>

595
00:52:50,550 --> 00:52:53,748
<i>In a modern electronic organ</i>
<i>or a synthesizer,</i>

596
00:52:53,853 --> 00:52:58,313
<i>there are hundreds of pieces,</i>
<i>all extremely complex.</i>

597
00:52:58,391 --> 00:53:03,021
<i>In one of the initial instruments</i>
<i>from Theremin, there is nothing.</i>

598
00:53:04,264 --> 00:53:09,202
<i>They are only intelligence</i>
<i>and highly efficient design.</i>

599
00:53:11,137 --> 00:53:14,039
<i>It’s something we don’t do anymore.</i>

600
00:53:14,175 --> 00:53:17,007
<i>We can't do it anymore. We lost the thing.</i>

601
00:53:36,291 --> 00:53:38,019
<i>All my work</i>

602
00:53:38,994 --> 00:53:42,588
<i>design and construction</i>
<i>Theremin has trained my ear.</i>

603
00:53:42,664 --> 00:53:46,260
<i>I ended up knowing how to play in tune</i>
<i>and perform a correct vibrato.</i>

604
00:53:46,402 --> 00:53:48,028
<i>And phrase correctly.</i>

605
00:53:48,369 --> 00:53:50,634
<i>In my work on synthesizers,</i>

606
00:53:50,706 --> 00:53:53,038
<i>I understood what made a good sound</i>

607
00:53:53,307 --> 00:53:55,867
<i>and what musicians found useful.</i>

608
00:53:56,277 --> 00:54:01,681
The period of 1965 or 66
until 1970 or 71

609
00:54:02,418 --> 00:54:03,679
was

610
00:54:05,054 --> 00:54:08,023
the most incredible half decade

611
00:54:09,090 --> 00:54:12,548
and terrible changes
in the way of producing music

612
00:54:12,628 --> 00:54:14,619
and in the type of music played.

613
00:54:14,697 --> 00:54:18,427
It was a tumultuous time.

614
00:54:18,701 --> 00:54:23,228
From 1965.
It was the beginning of rock and roll.

615
00:54:25,239 --> 00:54:28,902
Synthesizers were still
experimental devices.

616
00:54:29,210 --> 00:54:32,907
Enter <i>Switched-On Bach,</i>
with Wendy Carlos.

617
00:54:33,047 --> 00:54:37,211
The Grateful Dead arrive,
the Beatles and the Rolling Stones.

618
00:54:37,385 --> 00:54:41,413
Comes the civil rights movement

619
00:54:41,556 --> 00:54:45,550
and all socio-cultural factors

620
00:54:45,927 --> 00:54:48,795
that psychedelic culture is brewing.

621
00:54:48,864 --> 00:54:54,097
The media brewed this incredible
mixture, and what came out

622
00:54:54,670 --> 00:54:56,864
no longer had any of the original components.

623
00:54:56,938 --> 00:55:00,898
In the case of the Theremin,
the components were Clara Rockmore

624
00:55:01,275 --> 00:55:03,574
and Dr. Samuel Hoffman.

625
00:55:03,711 --> 00:55:07,545
Out came Paul Conley
by Lothar and The Hand People

626
00:55:09,050 --> 00:55:10,677
and Brian Wilson.

627
00:55:55,230 --> 00:55:59,826
In fact, it started
when I was a child, at eight years old.

628
00:56:00,034 --> 00:56:04,199
My parents took me
at one of their friends

629
00:56:04,373 --> 00:56:06,204
which had a Theremin.

630
00:56:06,775 --> 00:56:10,710
The guy was playing it and the sound scared me.

631
00:56:10,945 --> 00:56:12,846
I was really scared.

632
00:56:14,382 --> 00:56:17,909
I didn't want to hear that sound.
That Theremin sound...

633
00:56:20,155 --> 00:56:21,485
This sound.

634
00:56:21,989 --> 00:56:25,789
<i>It looked like one of those</i>
<i>horrible horror films where...</i>

635
00:56:26,360 --> 00:56:29,693
<i>A strange trip.</i>
<i>Strange facial expressions.</i>

636
00:56:30,065 --> 00:56:31,657
<i>It's almost sexual.</i>

637
00:56:31,766 --> 00:56:33,563
- Are you okay?
- Yes.

638
00:56:35,204 --> 00:56:36,603
I'll take you back.

639
00:56:37,873 --> 00:56:39,271
Take me to the mine.

640
00:56:40,809 --> 00:56:43,436
Please no.

641
00:56:54,623 --> 00:56:59,356
Because I thought:
“I’m picking up on good vibes.”

642
00:56:59,460 --> 00:57:00,791
I said to myself:

643
00:57:01,463 --> 00:57:03,590
“We could hear the cello.”

644
00:57:03,798 --> 00:57:07,929
I said: "Since today we are doing
something strange

645
00:57:08,237 --> 00:57:11,103
"why not put a Theremin in it?

646
00:57:11,172 --> 00:57:13,266
“The height I need is…”

647
00:57:15,143 --> 00:57:17,610
When we put the Theremin on it,

648
00:57:17,679 --> 00:57:21,114
we put it there
so that people understand

649
00:57:21,182 --> 00:57:23,378
the legitimacy of the Theremin.

650
00:57:23,518 --> 00:57:26,112
Its musical legitimacy, more precisely.

651
00:57:26,188 --> 00:57:28,349
I'm not talking about...

652
00:57:28,523 --> 00:57:31,686
You understand me.
In terms of written music.

653
00:57:31,860 --> 00:57:34,760
But in a sense it had an unwritten sound.

654
00:57:34,896 --> 00:57:36,989
As if the music wasn't written.

655
00:57:38,032 --> 00:57:40,797
<i>Good Vibrations</i> is probably

656
00:57:41,036 --> 00:57:45,097
the best combination of instruments
of all Beach Boys records.

657
00:57:45,172 --> 00:57:48,869
The most unique way to take
conventional instruments,

658
00:57:50,077 --> 00:57:54,981
which had only been associated with adults.

659
00:57:55,317 --> 00:57:56,614
The children...

660
00:57:56,751 --> 00:58:00,210
Children of 21 years old, 25 years old.

661
00:58:01,856 --> 00:58:05,657
Children of God
are around twenty years old.

662
00:58:05,860 --> 00:58:08,795
They are around twenty years old.

663
00:58:08,931 --> 00:58:13,094
And are in no hurry at all
to reach thirty years.

664
00:58:13,302 --> 00:58:17,864
In there, people of 25 or 26 years old...

665
00:58:20,141 --> 00:58:23,269
young adults,
not quite adults, but

666
00:58:23,711 --> 00:58:26,612
quite flamboyant, a little

667
00:58:26,914 --> 00:58:28,882
fanciful.

668
00:58:28,951 --> 00:58:33,547
Whimsical personalities.
A whimsical sense of humor.

669
00:58:33,755 --> 00:58:37,246
With <i>Good Vibrations...</i>

670
00:58:37,425 --> 00:58:41,226
It wasn't a funny record.
He didn't make me laugh.

671
00:58:41,596 --> 00:58:45,157
It made me cry because I had seen...

672
00:58:45,634 --> 00:58:47,362
I had seen...

673
00:58:47,536 --> 00:58:53,168
I was sure straight away
to have grasped the idea

674
00:58:53,342 --> 00:58:55,969
that, when we take
classical instruments,

675
00:58:56,143 --> 00:59:00,012
to place them in
a rock environment,

676
00:59:00,148 --> 00:59:02,047
we refine the music.

677
00:59:02,150 --> 00:59:05,516
We elevate rock and roll.

678
00:59:05,721 --> 00:59:10,521
It's funny, no one has ever qualified
<i>Good Vibrations</i> rock record.

679
00:59:10,625 --> 00:59:13,958
It was a rock record.
It was rocking, huh?

680
00:59:14,028 --> 00:59:15,393
Really.

681
00:59:24,472 --> 00:59:26,498
That's the melody.

682
01:00:11,820 --> 01:00:13,913
I didn't know it would be a hit.

683
01:00:13,989 --> 01:00:18,255
We didn't even think about releasing it,
it was so weird.

684
01:00:18,393 --> 01:00:20,987
<i>- A double bass and a Theremin...</i>
- Weird.

685
01:00:21,063 --> 01:00:24,226
Capitol Records,
our record company, said:

686
01:00:25,766 --> 01:00:29,827
“It’s too long.”
It lasted three minutes thirty-five.

687
01:00:30,038 --> 01:00:33,201
Three minutes thirty-five seconds.

688
01:00:35,943 --> 01:00:40,744
Capitol Records wanted to release
<i>Help Me, Rhonda.</i>

689
01:00:40,849 --> 01:00:44,876
No, that's the name of the disc.
They wanted to release <i>Barbara Ann.</i>

690
01:00:44,985 --> 01:00:48,512
But we wanted to convince them
by the logic that this disk...

691
01:00:48,623 --> 01:00:53,525
People came to listen to him
at our place.

692
01:00:53,661 --> 01:00:58,065
They were excited and said:
“It’s a mega great record, man!”

693
01:00:58,333 --> 01:01:00,460
Me: “Capitol doesn’t want to release it.”

694
01:01:00,534 --> 01:01:04,335
“Don’t listen to them,” they said.
“Make them do it.”

695
01:01:04,806 --> 01:01:08,036
This fucking record is out
and was number one in the country.

696
01:01:08,143 --> 01:01:09,804
Throughout the country.

697
01:01:12,179 --> 01:01:14,943
Thanks to this Theremin and the cello.

698
01:01:17,219 --> 01:01:20,119
I would rather not be alone in doing this.

699
01:01:34,369 --> 01:01:35,960
I can't go that high.

700
01:01:36,570 --> 01:01:39,266
<i>After the KGB,</i>

701
01:01:39,541 --> 01:01:44,137
<i>Theremin worked at</i>
<i>Moscow Conservatory of Music.</i>

702
01:01:44,880 --> 01:01:49,943
<i>In his laboratory,</i>
<i>he built Theremin,</i>

703
01:01:52,086 --> 01:01:55,784
<i>electronic cellos,</i>

704
01:01:56,123 --> 01:02:01,686
<i>and even some Terpsitone.</i>

705
01:02:01,762 --> 01:02:04,789
<i>He worked there for ten years.</i>

706
01:02:04,965 --> 01:02:07,661
<i>He was popular among students.</i>

707
01:02:14,476 --> 01:02:16,568
<i>They loved him.</i>

708
01:02:16,677 --> 01:02:20,273
<i>One day,</i>
<i>a visitor came to the Conservatory.</i>

709
01:02:20,382 --> 01:02:25,751
<i>While he was being shown around,</i>

710
01:02:25,954 --> 01:02:28,547
<i>he recognized Theremin.</i>

711
01:02:28,789 --> 01:02:32,590
He was a correspondent
from the <i>New York Times.</i>

712
01:02:33,929 --> 01:02:38,559
He was very surprised to see Theremin.

713
01:02:38,632 --> 01:02:40,623
“You’re alive!” he said.

714
01:02:40,702 --> 01:02:45,900
“Yes, I am alive,” Theremin replied.
“I work at the Conservatory.”

715
01:02:47,608 --> 01:02:52,773
<i>An article on Theremin</i>

716
01:02:52,880 --> 01:02:56,873
<i>caused a lot of commotion.</i>

717
01:02:56,952 --> 01:03:01,012
<i>The vice-president of the Conservatory said:</i>

718
01:03:01,590 --> 01:03:07,085
"People don't need
electronic music.

719
01:03:07,695 --> 01:03:12,998
"Electricity is used to execute traitors
in the electric chair."

720
01:03:14,235 --> 01:03:15,726
Theremin was fired.

721
01:03:15,804 --> 01:03:18,931
His laboratory was closed,

722
01:03:19,106 --> 01:03:22,838
his instruments were dragged outside

723
01:03:23,143 --> 01:03:26,601
and destroyed with an axe.

724
01:04:19,333 --> 01:04:21,824
<i>On behalf of Stanford University,</i>

725
01:04:21,969 --> 01:04:24,996
<i>I have the honor to offer you,</i>
<i>Professor Theremin,</i>

726
01:04:25,106 --> 01:04:27,199
<i>the centenary medal.</i>

727
01:04:27,342 --> 01:04:30,505
I will just read the quote:

728
01:04:30,679 --> 01:04:34,672
"In appreciation
of his distinguished participation

729
01:04:34,748 --> 01:04:39,742
"at the celebration of the centenary of
Stanford University, October 1..."

730
01:04:39,987 --> 01:04:41,956
We are a little early.

731
01:04:42,157 --> 01:04:45,387
"...1991. Leon Theremin."

732
01:06:11,512 --> 01:06:13,481
<i>What is the address here?</i>

733
01:06:13,648 --> 01:06:16,913
My address was 37 West 54th Street.

734
01:06:17,117 --> 01:06:18,675
<i>Did you also live here?</i>

735
01:06:19,086 --> 01:06:23,148
On the fourth. It was my home.

736
01:06:23,425 --> 01:06:29,385
On the other floors,
there were dance studios,

737
01:06:29,563 --> 01:06:34,626
music
and also mechanical engineering.

738
01:06:35,202 --> 01:06:38,639
Albert Einstein, yes. He was a theoretician.

739
01:06:38,806 --> 01:06:43,539
He first came with his wife.

740
01:06:43,811 --> 01:06:48,806
She was a violinist
and also played the piano.

741
01:06:49,250 --> 01:06:52,548
He saw me playing the instrument

742
01:06:52,653 --> 01:06:54,952
and attempted to play himself.

743
01:06:55,222 --> 01:06:57,987
He didn't have a very good ear.
but nevertheless

744
01:06:58,126 --> 01:07:03,324
he played my instrument, my Theremin.

745
01:07:18,045 --> 01:07:21,277
<i>If I saw him today,</i>
<i>after all these years,</i>

746
01:07:21,382 --> 01:07:23,713
<i>I don't know if that would be a good thing.</i>

747
01:07:23,918 --> 01:07:28,878
<i>Sometimes it's good to live</i>
<i>with his memories, not to try...</i>

748
01:07:33,094 --> 01:07:36,427
<i>We are no longer the same,</i>
<i>it's obvious.</i>

749
01:07:37,065 --> 01:07:41,195
The last time, when I saw him in Moscow,

750
01:07:41,302 --> 01:07:44,532
he told me that, for him, I was not

751
01:07:44,639 --> 01:07:46,630
not a reality.

752
01:07:46,773 --> 01:07:48,900
He said, "You were a dream."

753
01:07:50,077 --> 01:07:53,275
Already then, he had seen so much

754
01:07:53,414 --> 01:07:56,713
that this part of his life
seemed like a dream.

755
01:13:41,529 --> 01:13:43,724
Lev Sergeivich!

756
01:13:48,970 --> 01:13:51,301
I'm so happy to see you!

757
01:13:51,538 --> 01:13:56,100
Give me your hat.

758
01:13:59,447 --> 01:14:03,109
You are like a dream come true.

759
01:14:03,283 --> 01:14:08,278
What a pleasure to see us
in our old days!

760
01:14:08,421 --> 01:14:10,855
What old days?

761
01:14:13,327 --> 01:14:18,162
Do you recognize me?
I changed my hairstyle.

762
01:14:18,231 --> 01:14:19,721
You are bigger.

763
01:14:19,934 --> 01:14:22,128
I grew up!

764
01:14:26,340 --> 01:14:31,403
Here is the first Theremin
that you gave me. I still have it.

765
01:14:34,981 --> 01:14:40,648
The standard RCA model.

766
01:14:40,954 --> 01:14:44,322
When they became rare,

767
01:14:44,391 --> 01:14:47,792
people often wanted to buy it from me,

768
01:14:47,929 --> 01:14:52,059
but I would never sell

769
01:14:52,132 --> 01:14:56,262
my darling little Theremin!

770
01:14:56,970 --> 01:15:00,805
Here is a photo of my sister Nadia,

771
01:15:01,141 --> 01:15:05,203
and photos by Lev Sergeivich Termen.

772
01:15:05,578 --> 01:15:10,243
I always keep them in the place of honor.

773
01:15:10,350 --> 01:15:13,411
I don't have my glasses.

774
01:15:17,024 --> 01:15:19,685
And here is my portrait.

775
01:16:15,682 --> 01:16:18,810
The sound is still good.

776
01:16:19,086 --> 01:16:23,954
When I needed
with a faster left hand,

777
01:16:25,826 --> 01:16:29,091
to be able, in addition to the glissando,

778
01:16:29,162 --> 01:16:32,962
play a staccato.

779
01:16:39,539 --> 01:16:43,168
I have described my musical needs to you.

780
01:16:43,243 --> 01:16:45,872
And you built it for me.

781
01:16:46,146 --> 01:16:49,014
I may have inspired you,

782
01:16:49,115 --> 01:16:52,516
but you deserve all the credit,
you are the genius who created it.

783
01:16:53,020 --> 01:16:55,579
That's enough.

784
01:16:57,257 --> 01:17:00,954
That's not what you came for.

785
01:17:01,694 --> 01:17:04,960
Let's sit quietly,

786
01:17:05,065 --> 01:17:09,560
let's have tea and talk.

787
01:17:09,970 --> 01:17:11,528
Cut.

